Archive for the 'fiction vs reality' Category
The Rise of Street Literature
• June 13, 2008 • Leave a CommentPosted in 'Persepolis', active anarchist, Almah LaVon Rice, America's Pop Culture, American Artists, American Surrealism, Analytical Consciousness, Apocryphal, art, Art&Design, Artisitc Milieu, Asia, Authenticity, bibliophile, Biographia Literaria, Black Friday, Blog, Blogging, Bohemia, Bohemian Ink, Book Seller Moguls, books, censorship, Coffee House Press, collectives, Colorlines, Comic Arts, contemporary art, Contemporary Writers, creative writing, critical media, Culture & Art, culture consumption, Da Ghetto, disparate collection of voices, dissemination of images, Dissemintion of popular culture, ethnic violence, fiction vs reality, Figurative Imagery, free-speech, freedom, Gangsta-Lit, Ghetto-Lit, Gia Bao Tran, Graphic Novels/Art, human rights, humanity, hyperrealistic, hypocrisy, ignored genres, Independent Media/Journalism, Independent press, Independent/Progressive publications, Intellectual Milieu, liberation, lit&bit, Media Moguls, modern urban Life, Novelist, Novella Parody, Oppressive Politics, Poignant Themes, popular culture, Prose Fiction, psychological aspects in Urban Writing/Lit, psychopathology, Race & Representation, Satiric Tales, Shakespeare, Shakespeare and Urban Lit/Writing/Life, Slangy, social criticism, social critique, social philosophy, Street-Lit, Urban Fiction, Urban Literature/Writing, urban living
Tags: Almah LaVon Rice, Colorlines, Comic Arts, Da Ghetto, Gangsta-Lit, Ghetto-Lit, Gia Bao Tran, Graphic Novels/Art, Media Moguls, Novella Parody, Race & Representation, Satiric Tales, Shakespeare and Urban Lit/Writing/Life, Street-Lit, Urban Fiction, Urban Literature, Urban-Lit
Satrapi’s Comic-Strip Memoir comes to Life-
• December 25, 2007 • Leave a CommentPosted in 'Persepolis', Aeolic Word pais, America & Middle East politics, Amnesty, Amnesty International, Analytical Consciousness, anthropology, anti-Muslim Kristallnacht, Anti-war, Anti-War protests, anxiety of Tehran, Apocryphal, art, art and society, Art Anthologies, Art Threat, Artforum, Artistic Genres, artists, Authenticity, autobiographical comic-strip, avant-garde cinema, Ayatollah & Khomeini, Bande Desinee, Beat Genres, Beat Literature, bibliophile, Bohemia, books, brutality of Taliban era, chadors of females in Iran, children's health, cinema, citizenship, Civil Disobedience, civil unrest, collectives, community, conspiracy against democracy, contemporary art, contemporary printmaking, Contemporary Writers, corruption, counterculture, creative writing, creativity, critical media, Cultural Shifts, culture, Demetrius Phalereus, democracy, Democracy politics, diptych prints, disparate collection of voices, dissemination of images, Docu-drama, Ephemeral Memory, Eros, European alternative culture, Exiled life, fanatical Islamists, feminism, Feminist critique/criticism, fiction vs reality, filmmakers, Foreign Film, free-speech, freedom, Freedom as Birthright, French Bourgeoisie, Fundamentalists, gender equality, global politics, Good vs Evil, government, graphic artist/art, Graphic Novel, Hellenic Knowledge, History, human rights, humanity, Hypatia, idealism, ignored genres, imposition of the veil, Independent press, Intellectual Milieu, international affairs, intolerance & superstition, Iranian Life, Iranian Revolution, Islamphobe, justice, La Societe Feudale, Laissez Faire Elite, Laissez-Faire Capitalism, left-wing intellectuals, liberation, liberty, Life&Death, Light & Darkness, Linguistics, Literary coterie, literature, Lycee Francais, Marjane Satrapi, Marxist, mass protests/demonstrations, Middle East politics, modernist women writers, Muslim extremists, Muslim feminists, nihilism, no-nonsense feminism, Novelist, oppression, Oppressive Politics, Pathos, Peace, Platonic Idealism, Pluralist Democracy, political dimensions, Political History, political themes in art, politics, Politics of Confrontation, popular culture, post-punk cult, Post-War decay, pre-post Revolution/Iran-Tehran, punk rock, pyschology, race, radical feminism, radical Islamists, religion, religious zealots, rhythmical grumbles, rules of the mullah, Shah dictatorship, social critique, symbolism, Symbolist, technology, theatre, Thirsting for Peace in a Raging Century, travel, Tyranny, unjust hierarchy, vernacular modernism, Video art, visceral reactions to the veil, Voice of Dissent, war-torture-execution, Wealth vs Poverty, Word & Image, World Cinema
Tags: 'Persepolis', Abstractionism, Academia, adolescence, advocacy for freedom, alternative cinema/film, American & Middle East politics, Analytical Consciousness, Anti-war, anxiety of Tehran, art & film, Art & Society, Art Threat, Artistic Genres, artists, Authenticity, autobiographies, Bande Desinee, bibliophile. blogosphere, black & white comics, Blog, books, chadors of female/veil, children of the revolution/Tehran, civil unrest, comic strip art/novels, comic-strip movie/memoir, comic-strip portraiture, community, contemporary writers/artists, counterculture, critical analysis, critical media/press, Cultural Shifts, culture, discourse & critique, documentaries, education, enlightenment, European alternative culture, exile, family strife, fanatical Islam, feminism, film, foreign film/comic, France, Freedom as Birthright, graphic novel illustrators/writers, graphic novel style/prose, humanity, hypocrisy, imposition of the veil, international affairs, intolerance & superstition, Iranian Life, Iranian life/culture, Iranian Revolution, Islamic revolutions/fanaticism, left-wing intellectuals, life, literature, Lycee Francais, Marjane Satrapi, Marxism, nihilism, no-nonsense feminism, novels, political affiliations, political currents, Political History, political themes in art, politics, poplular culture/film, Post-War decay, pre-post revolutionary Iran, punk rock, Rebel with a Cause, rebellion, religious zealots, ridiculous regimes, rules of the mullah, secular allies, Shah dictatorship, social milieu, society, Sony Pictures, Tehran revolution, theatre, travel, unjust hierarchy, Video art, Vienna, war/tortue/execution, Wealth vs Poverty, Word & Image, World Cinema, writer
Hossienis’ Kite snags but isn’t cut…
• December 8, 2007 • Leave a CommentPosted in Afghan society, Afghanistan, Akademie der Kunste, America & Middle East politics, American Artists, Amnesty, Amnesty International, Analytical Consciousness, ancient languages, Anthologies, anti-Muslim Kristallnacht, Apocryphal, art, art and society, Art&Design, Artistic Genres, Authenticity, Avadha, barbarians, Beat Generation, Beat Genres, Beat Literature, Beatitude, bibliophile, Bohemia, Bohemian Ink, books, brutality of Taliban era, cinema, civil unrest, Coffee House Press, collectives, community, conspiracy against democracy, creative writing, creativity, critical media, culture, culture consumption, dactylic hexameter, dactylic tetrameter, democracy, Democracy politics, desi-lit, Dharma Beat Poet, Diane di Prima, disparate collection of voices, Dissemintion of popular culture, Emancipation from Tribalism, Ephemeral Memory, Eros, Ethics, ethnic violence, experimental writing, fear of reprisal, Feminist critique/criticism, fiction vs reality, filmmakers, Fotografos, freedom, gender equality, geopolitical, global politics, government, Hellenic Knowledge, Hermetic & Esoteric traditions, History, Hollywood Behemoth, Hubris, human rights, Hypatia, hyperrealistic, Idiosyncratic politics, Independent press, Independent/Progressive publications, India-Pakistan relations, Information Suppression, Intellectual Milieu, international affairs, Iraq policy, Islamphobe, justice, Kabul, Khaled Hosseini, La Societe Feudale, liberation, liberty, Library of Ptolemis, life, Life&Death, Linguistics, Literary coterie, literature, Ma Sita, Media Wonks, memoirs, Middle East politics, modernist women writers, monculture catastrophe, Muslim extremists, Novelist, Oppressive Politics, Pakistan, photographic portraiture, Photography, photojournalism, Platonic Idealism, Pluralist Democracy, Poetess, Poignant Themes, political asylum, Political Moguls, Pomona Goddess of Fruits, Post Modernism, Post-Beat Era, Post-War decay, pre-war Kabul, Prose Fiction, psychopathology, pyschology, race, radical Islamists, religion, social critique, social philosophy, symbolism, The Kite Runner, travel, Tyranny, UNHCR, unjust hierarchy, Voice of Dissent, World Cinema
Tags: Afghan society, Afghanistan, Ahmad Khan, alternative cinema, American and Middle East politics, Amnesty, articles, Artistic Genres, artists, Authenticity, betrayal, books, brutality of Taliban era, child actors, civil unrest, commentary, community, creativity, culture, culture consumption, David Benioff, dissemintaion of popular culture, dominant Pashtuns, edcuation, Emancipation from Tribalism, entertainment, ethnic violence, exile, extremism, faith, family, fear of reprisal, ficition, fiction vs reality, film, filmmakers, freedom, friends, History, Hubris, human rights, hyperrealistic, Intellectual Milieu, international affairs, Islam, Khaled Hosseini, life, Life&Death, literature, Marc Forster, monoculture catastrophe, movies, Musings, News, novel to movie, novelists, novels, perfunctory, photos/photography, Poignant Themes, political asylum, politics, Post-War decay, pre-war Kabul, psychology, psychopathology, rape theme in film, religion, reviews, society, subjugated Hazara ethnic groups, The Kite Runner, thoughts, travel, UNHCR, United Arab Emirates (UAE), world, writing, YouTube, Zekiria Ebrahimi