black&white photography | elaytya

: etranger :

• March 28, 2008 • Leave a Comment

Posted in America's Pop Culture, American Artists, American Women Poets, Analytical Consciousness, apiarists, art, art and society, Art&Design, artists, Auspicious Night, Authenticity, Blogging, Bohemia, contemporary art, Contemporary Writers, creativity, Culture & Art, deliquescence, diptych prints, dissemination of images, Dissemintion of popular culture, etranger, exhibits, fine art, Fotografos, galleries, Hypatia, hyperrealistic, Intellectual Milieu, Je Voudrais, Light & Darkness, Literary coterie, philisophical meanderings, Photography, popular culture, symbolism, Video art, Voice of Dissent, Word & Image, writing
Tags: abstract expressionism, Abstractionism, American Pop Art, analytical art expressions, art, Art & Design, Art & Society, art collectives, black&white photography, Coffee Beat Press, confused images of contour, culture and art, dissemination of images, exhibits, Fotografos, hyperrealistic, Intellectual Milieu, lit bits, new Works, News, Photography, urban living

Seydou Keita-

• October 31, 2007 • Leave a Comment

Posted in art, art and society, artists, books, community, creativity, culture
Tags: 'Girls on Bike', abstract, Academia, Academic discourse/critique, African Art/Photography, African self-taught photographer, Anthologies, arabesque cloths, art, Art History, Artforum, Authenticity, Bamaku-Mali, black&white photography, Bohemian, capitalism, Cartier Foundation, Chelsea, colonialism, Contemporary African Art/Photography, contemporary art, controversy, corruption, disparate collection of voices, dissemination of images, erotica, European world view, exhibitions, exploitation, fine art, forgery, Fotografos, Francoise Huguier, French Bourgeoisie, Gagosian Art Gallery, genius, histories of photography, human history, ideas, Indigenista Movement, journaling, Mali, Mali Independence/Revolution, Malian community, Media, Missionary work to justify Colonialism, museum, paradox, Philosophy, photographic portraiture, Photography, photojournalism, Postmodern approach, psychology, race, racism, regional cultures, scholarly analysis, Sean Kelly Gallery, Seydou Keita, SoHo Gallery, Symbolist, technology of photography, thoughts, tribal African costumes/dress, vernacular modernism, Vuillard, West Africa, writing, Xhosa men